Posts Tagged ‘echelon press’

My Interview with Judy Douglas Knauer

January 21, 2011 2 comments

Have you ever met one of those people you instantly took a liking too? Ya, those people. If you’re lucky you get to spend your life surrounding yourself with people just like them. Intelligent, witty, fun, entertaining. Well I have good news for you. I’m going to save you some trouble and introduce you to one of them. She happens to be a VERY talented writer too! Please say hello to my friend Judy Douglas Knauer.

When was the exact moment you decided to write a book?

I was 18 years old, lounging on a sofa with pencil and paper and thought I’m going to write a romantic western novel.  So I did.  I’ve always loved the West so researching Indians and Texas territory was fun.  The book made it to typewriter and my filing cabinet where it sits today.

Did you have a specific inspiration for the story A Dirty Way to Die?

You bet I did!  Several in fact.  The two main male characters are based on six different men who were veterans of the Viet Nam war.  The story itself started as a romance novel about professional female mud wrestlers.  The Chicago Knockers did a show at the Fairbury, IL fair right after my first romance novel was published by Berkley/Jove and I decided to interview the ladies with the romance genre in mind.  The women gave me great material, but instincts told me not one New York editor would look at a romance based on mud wrestlers.  I ain’t no dummy.  So I began the book by killing one off in my hometown of Peoria at the Heart of Illinois Fair.  My inspiration for setting the private eye’s office in Peoria was a well-known female New York editor who I overheard saying in a phrase that used the f word: no book would ever sell set in Peoria.  Never say never, especially to me.

What is your favorite aspect of being a published writer? Is their anything that you don’t like?

Being a published writer is my favorite aspect!  I make up stories because I love doing that, but I write them hoping to have them read, to have readers taken to someplace outside themselves, where I am when I write them.  If my work just sits in a drawer or box, then the circle is incomplete and that I do not like.

If you had the opportunity to go back and change any portion of A Dirty Way to Die, what would it be?

I guess I would have Manny get beat up and shot more times, since that seems to be the popular way of today’s private eye novel.  I’ll see if I can make up for that in the next two Manny Shepherd novels in the works.

Do you write full time, or do you have another occupation as well? How do you find a balance between them?

If you mean 8 to 5 as full time, I retired from those hours and a good paycheck three years ago.  Besides a minimum four hours a day writing and at least another four contriving in my head, I’m semi-fanatic about a clean house and flower and vegetable gardens having no weeds.  I sew, knit and crochet for my grandchildren when I’m not on a writing deadline, which I’m on now.  Deadlines do  not allow for balance; the book is always in my head.

What’s next in the works for you? Do you have anything planned that you would like to share?

A second Manny Shepherd P.I. novel is two-thirds done with a third outlined, but on a backburner until I finish Mourning Preyers, my second thriller.  I’ve also begun a mystery with a female journalist protagonist with criminal investigation college courses to her credit, which is my background.  Editor Tom Colgan saw first pages years ago and told me that was the direction I should take.  Naturally, I’ve written two thrillers since then and almost completely ignored his wise advice.

Has any author or authors inspired you to write? Anybody in particular you would like to be compared to?

Every mystery author whose novel was on the shelves of my neighborhood library in Peoria since I was in third grade inspired me to make up stories, maybe in particular Mary Stewart.  I was so fortunate that the librarians allowed me to keep reading above my age level.  I once got a rejection letter from an editor who told me I should not write like Ross McDonald.  At that time, I did not know who Ross McDonald was, but now see him a lot in Dennis Lehane’s work!  A few years ago I’d have jumped with the answer Elmore Leonard as who I would like to be compared to.  No one does character or moves a story with character better than Leonard.  Then along came Stephen J. Cannell novels and Lehane.  I would love to be a writing mix of Leonard, Cannell, Lehane, Tom Wolfe and Carl Hiassen!  Perfect!
Along the road to getting published, what did you find the most rewarding and most difficult?

The most difficult task along the road to getting published is just that – getting published.  The most rewarding was that phone call from a Berkley editor telling me they wanted my book.

Tell us about the area you live in, did it play into the setting of your book in any way?

As I said A Dirty Way To Die is set in Peoria, my hometown, but my P.I. solves crimes everywhere but there!  In my first novel, a romance the publisher title Ecstasy Reclaimed (by Brandy LaRue my pen name) my setting was the farm and farmstead where I live–right down to the final love scene in the middle of a cornfield!

If you had once piece of advice to ive to aspiring writers, what would it be?

One piece of advice to aspiring writers – never give up and re-write.
You think you’ve got problems?

Doc Goold calls it cognizant premonition triggered by causal hypersensitivity, but Manny Shepherd and his Vietnam vet buddy Steve Mallinotti call it Shepherd’s Luck, that time-proven knack to sense bad shit lurks just around the corner.  Manny felt the premonition slump into his gut minutes before he witnesses Steve’s girlfriend Rita Hayward get slammed in the mud to her death by a well-stacked gal dubbing herself Screaming Eagle.

Mired in shock, guilt and a drunken haze, Steve coerces Manny, who has little on his Private Investigator’s plate, to figure out why Rita died like that with them and a SRO crowd watching and cheering at Peoria’s Heart of Illinois fair.  After all, back in earlier days at Neelys Landing, Missouri, Rita reigned as a star gymnast.  So how could a simple Judo throw have killed her?

No way will Manny jeopardize his tenuous yet sensual relationship with Tazewell County’s District Attorney, Lisa Shelton, to hang around half-naked, oiled-bodied beauties with names like Virgin Witch, Passion Queen, Midnight Fire, and Holy Terror, just to expose the obvious – Princess Lay-ya aka Rita Hayward just took a bad…okay, seriously bad header.

Steve’s heart-tugging story of Rita’s journey to professional mud wrestler fame, and haunted by Rita’s single staring dead eye watching him, Manny takes the leap onto the St. Louis Slingers on-tour bus.  Shepherd’s Luck bites hard amidst boobs and bullets as Manny is targeted while he hunts down a scheming, sadistic killer.


Purchase A Dirty Way To Die for only $2.99 at Amazon’s Kindle Book Store, B&N’s Nook, your PC, OR at

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What others are saying about…


A Dirty Way To Die


Manny Shepherd is a breath of fresh air for the PI scene. A Dirty Way to Die rocks, and J. Douglas Knauer writes with just the right combination of grit and savoir-faire to give the book both style and realism.

—Michael A. Black, author of Hostile Takeovers and I Am Not a Psychic, with Richard Belzer.


Pulse-pounding action, a flawed hero with a code of ethics, and the inside story on women mud wrestlers combine for an exciting adventure in J. Douglas Knauer’s A DIRTY WAY TO DIE.

—Luisa Buehler, author of The InnKeeper: An Unregistered Death; Grace Marsden Mysteries ~ Think Monk in a skirt solving Cold Cases ~


Sexy and lusty mud-wrestlers and murder. Manny has his hands full. Looking for some entertainment? You’ll find it (in A Dirty Way To Die).

—Frank J. Scully, author of Resurrection Garden, release date January 1, 2011, MuseItUp Publishing


Judy Douglas Knauer got her first critical author review for a poem she wrote while in second grade.  One of the little girls in her Peoria, IL Brownie Troupe disapproved of the way Judy depicted her in the poem, even though it was true.  Multiple years later her first novel, Ecstasy Reclaimed by Brandy LaRue (a pen name) sold to Berkley Publishing without ever seeing a rejection.  Years later she was hired as chief editor, reporter and photographer for The Citizen, a weekly newspaper that covered Livingston County, IL.  During seven years in the newspaper business she won 14 journalism awards including eight from Illinois Press Association. She has sold non-fiction to Buckeye Farm News, Time/Warner, and Countryside magazines and a short mystery to Over My Dead Body.  One novel never being rejected notwithstanding, she admits to having a bulging folder of rejections compiled over many years for multiple novels yet unsold.  Her motto is “You never fail until you stop trying.”  She has three published novels with the latest, her first private eye novel, released in August 2010.


Judy is the proud mom to two daughters and two sons and Gramma to three boys and one girl.  She lives with her husband, Dennis, on four acres about 75 miles south of Chicago.  When she’s not working on her current thriller-in-progress, she enjoys gardening, fishing, reading, cooking, refinishing antique furniture, learning, walking and travel.


Please visit to learn more about the author and her books.

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A Ghost of an Echo-Part Two

December 12, 2010 5 comments

Greetings and salutations fans of Jen Wylie!.  I have a special treat for you all today.  I’m sure most of you are familiar with Jen’s short stories.  She has a new short story and has decided to share some of it with her fans.  It’s called A Ghost of an Echo, and from the title I’m sure you can tell it’s part of her echo series.  The first part of the story can be found here, but the SECOND PART can be found, yup you guessed it.  Right here.  I have the honor of hosting the second part of the story my friends.  So, ENJOY! When she opened her eyes she stared up into darkness. It took at moment for her to realize dark was perfectly normal, it had been nighttime after all. However then her other senses slowly returned.


SMELL came first, wet grass and rain and…gas? Sound next, the steady downpour of rain and a strange metallic popping sound. The sense of touch came last, strangely distant, the simple feel of the hard ground beneath her.

That wasn’t right. She had been in the car, driving home with Brian, when he’d lost control when lightening had struck the road in front of them. Had she been thrown clear? If so, why couldn’t she feel the rain? Panic rose within her as she realized nothing hurt. Something should have, all of her should have.

A whimper escaped her lips as she struggled to orient herself, to get her arms and legs to move. With relief they finally did, for a moment she had wondered if she had been paralyzed in the accident. The accident, the car… Brian!

She scrambled blindly to her feet. Everything around her was cloaked in fuzzy black. She turned quickly as the panic and fear continued to grow. A faint light in the distance above her caught her attention and drew her eyes.

Headlights. A car had stopped on the road above. She wondered if it was the vehicle which had been following them. Then again, she had no idea how much time had passed, it could very well be just another passing car which stopped to investigate the mangled guardrail.

Another light moved above and separated from the car, making its way slowly down the steep rocky slope. She moved forward, opening her mouth to call for help.

The light brightened, illuminating the scene before her and stealing any words from her lips.

Their car rested in a mangled mess at the base of the slope, the roof crushed in, the side and hood smashed. It had landed the right way up, the driver’s side facing her. The popping sound came from the car as the metal protested and the dead engine cooled.

Taking a hesitant step forward she could still smell gas. At least in the rain she didn’t have to worry about it catching fire. Part of her wanted to rush forward and make sure Brian was alright. The rest of her was afraid of what she would find.

“What a mess.”

She turned her gaze away from the car to the man who had spoken. Two people had come down, him and a small woman who held the light.

“It was a bad spot,” the woman said quietly.

The man turned and she saw him scowl in the light. “And whose fault is that? You had better hope they are both not dead already!”

Becky cringed at his words and hoped they couldn’t see her. Obviously they’d had a part in the accident. She remembered the bump she had felt before Brian had lost control again. Had they rear ended them on purpose? Why?

The man picked his way around the side of the car, the woman following silently behind.

She bit her lip and moved closer, keeping out of the light. She hoped Brian wasn’t hurt. For some reason she still couldn’t bring herself to call out to the couple. The man pulled on dark gloves as he peered in the driver’s side window, the woman a few steps behind him.

Becky moved around toward the front of the car, hesitant and worried. She couldn’t see within the car, the light glinted off the windshield in the rain.

She froze. If the windshield remained intact, how had she gotten thrown out of the car?

“The girl is dead.”

Her head jerked around at the woman’s words. She stared at the strangers from her new vantage point in front of the car.  He was tall, dressed well in tailored shirt and slacks. She stood much shorter, everything about her small and delicate looking. Dark hair hung like a shadow past her waist. The man cursed, wiping water off of his face. The woman was staring at her, her face sad.

She remembered the rain. Though it continued to pour she couldn’t feel it. Meeting the woman’s eyes she saw it didn’t touch her either. She looked down, raising her hands. She looked solid, however she wasn’t wet. She raised a hand, cupping it to catch the rain. The drops went right through her.

Her breaths quickened in horror. She was dead? She was… what? A ghost?


The man muttered something under his breath.

She looked up, shocked to see flashes of light come from his hands and hit the car door. With a pleased smile he jerked it open and bent to look within.

All she could think about was Brian. Frustrated she couldn’t see she moved closer to stand by the hood of car, peering around the open door.

“Rhea?” The man stepped back and woman moved forward.

“He lives. His injuries are not severe.” Rhea stepped back again, a faint smile for a brief moment crossing her lips.

The man scowled and cursed. He bent into the car again. “He’s unconscious?”

“Yes,” Rhea replied softly.

Becky grimaced, worried about Brian and not understanding what was going on. For some reason it seemed the man could not see her, yet the woman could. She moved closer, coming up to the door which separated her and the strange man. Biting her lip she finally forced herself to look within the car.

She shouldn’t have been surprised to see herself sitting there, eyes wide and staring blankly. Still the sight stole her breath away, which made her pause. She was dead. She didn’t need to breathe. Hysteria bubbled within her. She didn’t know whether to scream or to cry.

She did neither. Obviously there wasn’t anything she could do for herself, but maybe there was something she could do to help Brian. Certainly there must have been some reason she remained in this world.

She looked again, noting the mess of articles scattered about, trying to ignore her broken and twisted body. Brian sat back in his seat, eyes closed yet clearly breathing. A small, relieved smile crossed her face as she watched him. Brian, her Brian.

“Shit,” the man muttered. He reached over and grasped Brian’s chin, turning his head. “Well. We won’t make this a wasted opportunity.”

“Simon, no!”

Becky jerked at the pain in the woman’s voice. The man, Simon, pushed out of the car to glare furiously at her. Rhea scrambled backward, fear spreading across her beautiful face. She stopped abruptly, pain contorting her features as she bent slightly,  a hand going to her chest. “I’m sorry,” she murmured.

A wicked smile slid across Simon’s face. “Mind your place, Echo.”

Rhea nodded, turning her head away.

Becky watched in confusion, having no idea what was going on other than Simon had somehow hurt Rhea and had some kind of control over her. Simon again returned to the car and Becky quickly moved closer, remembering his cryptic words and frightened over what he might do to Brian.

Simon looked Brian over. “So then, let’s speed things along shall we.” He paused a moment, clearly thinking, before leaning in and picking up a smashed CD case. He snapped a large piece of the plastic cover off. Leaning back he turned it in his gloved hand and then forcefully jammed it into the side of Brian’s neck.

“No!” Becky lurched forward, shocked and horrified. This man hadn’t just stabbed Brian. He couldn’t have.

He also hadn’t heard her scream, or noticed she had moved through the door, through him. Freaking out she scrambled backward past the door again, choking sobs ripping through her. She wanted to run, she wanted to scream. She wanted to help Brian but she couldn’t. She could only stare through her tears as blood poured from his wound.

Simon wiggled the plastic, pushed it in a little further. Frowning, he started slapping Brian’s cheek. “Wake up. You need to wake up for this to work.” He grimaced, frustration darkening his eyes. With a bloody hand he wiped more water off of his face.

Becky looked up, noticing the rain had started to let up, the downpour now reduced to a light drizzle.


She jerked her eyes back to Brian, instinctively moving toward him. “I’m here…” Her words died. He couldn’t hear her.

His eyes blinked in confusion as he grimaced in pain. “Becky?”

Simon smiled in satisfaction. “There we go. Look at me. Good.” He reached one hand behind Brian’s neck, the other holding his head steady. “Becky needs you. Do you understand? This is important.”

“Becky…yes.” Brian murmured, fighting to keep his eyes open as blood poured from his neck.

She shook her head frantically. “No! No, Brian!”

“He can’t hear you.”

She turned with a gasp. Rhea now stood directly behind her. “What’s going on?”

“You can’t help him.” The woman closed her eyes for a moment. “You don’t want to see this. You should go on. Find the light and go on.”

“You can see me.”

Rhea nodded. “I died a long time ago. Most humans can’t see ghosts. You know that.”

“But he can see you,” she said in confusion.

“I am very old, I have the power to materialize. Simon also, is… different.” Rhea looked away. “I  am his. He has power over me.”

Becky bit her lip, both confused and horrified.

Rhea looked back at her. “Truly, you do not belong here. It will be alright in the end. I will do what I can, but you need to go on.”

She looked back to Brian and Simon, apparently neither had heard the quiet conversation, Simon continued to talk rapidly and quietly to Brian who grew weaker and fainter by the moment. Dying. Brian was dying. She shook her head in denial. This wasn’t happening, this couldn’t be happening. “Brian…”

Simon shifted and leaned in closer over Brian. “You must choose,” he said loudly enough for her to hear.

Brian nodded faintly. “Her, I must help her…I will…” He sucked in a small breath and closed his eyes. “Becky…”

The words stopped as his heart failed.

Tears streamed down her cheeks as she reached a hand out to him, her eyes widening in shock as Simon leaned forward, placing his lips over Brian’s and inhaling deeply. He remained that way for a moment before stepping back, a satisfied smirk across his face.

“What just happened?” She looked back to Brian, sucking in a startled breath as suddenly he moved.

“Rhea,” Simon snapped. “Gather him. I want to get out of this damn rain.”

Rhea moved around her, head bowed slightly. “Of course.”

Simon took a small flashlight from Rhea and turned on his heel, quickly making his way back up the slope to his car.

Rhea reached out and took Brian’s hand, pulling as she stepped back. Brian came with her, yet remained behind.

Becky stared at him by the faint light of the cars indoor lights. He was like her. Simon had turned him into a ghost. But why?

Rhea turned to her as she looped an arm through Brian’s. “You need to go. Now. You cannot help him.”

She took a step forward, trying to see around Rhea. “What are you talking about?”

Rhea shook her head in annoyance. She turned to look up at Brian. “Hold on to me.”  Then they shimmered and became a blur of light which quickly disappeared.

Becky stared, shock freezing her in place. Where had they gone? What the Hell had just happened? She sank to the ground, tears sliding down her cheeks as her lips trembled in frustration and anger.

The sharp sound of a car door slamming made her look up and she watched as Simon turned his car around and drove off.

They had all left her. She had died. Strangers had killed Brian and then stolen away his ghost. She was a ghost, yet  they had left her behind. She was alone. Dead and alone.

She had no idea what to do. She closed her eyes, trying to regain some semblance of calm. She had to think. She had to do something. She couldn’t stay here.

Light brushed against her lids and she opened her eyes again. In the distance a faint oval of light shone warmly, invitingly. She stared it, uncomprehending for a moment until she remembered Rhea telling her she should go on.

This was the light everyone always spoke of. The gateway to heaven, or whatever else lay beyond death. She rose unsteadily to her feet, the light pulling at her, promising rest and peace and everything else anyone had ever longed for.

She stopped, planting her feet and shaking her head, trying to clear it.

Bugger that. She wasn’t going anywhere without Brian. She turned and began heading up the rocky slope, not having any plans, or any idea what she was doing, only knowing she had to try.

The light behind her dimmed and faded away.


Author Bio

Jennifer Wylie was born and raised in Ontario, Canada. In a cosmic twist of fate she dislikes the snow and cold.

Before settling down to raise a family, she attained a BA from Queens University and worked in retail and sales.

Thanks to her mother she acquired a love of books at an early age and began writing in public school. She constantly has stories floating around in her head, and finds it amazing most people don’t. Jennifer writes various forms of fantasy, both novels and short stories. Sweet light is her debut novel to be published in 2011.

Jennifer resides in rural Ontario, Canada with her husband, two boys, Australian shepherd a flock of birds and a disagreeable amount of wildlife.

Short Story Blurb: Jump- Release Date Dec 15 2010


If you were told to jump off of a bridge would you? Perhaps it would depend on who was doing the asking. Our heroine has spunk and a sense of humor, however suffers from an extreme case of inappropriate clothing. When things take a turn from dangerous to worse what will she do when fantasy becomes reality? Warning: May include hot leather clad men, singing and demons.

My Interview with The Rainbow Queen-Jen Wylie

December 7, 2010 14 comments

Happy Tuesday everyone.  I have the distinct honor of having the nicest person you’ll ever meet as my guest for an interview.  She lives in the frigid wastelands of Canada, hates snow, and writes some of the best stories you’ll ever read.  Her name is Jen Wylie.  Please feel free to stop by and ask a multitude of questions.  I’m sure she’d be happy to answer!


Rarely have I seen an author with the variety you seem to encompass with your works.  Where does your inspiration come from? Where will it take you next?

My inspiration comes from everything, everywhere. However I will admit music plays a huge roll. I get so many ideas when I listen to songs, a single phrase, or the emotions a song will invoke can jump start a whole new world in my mind. Mostly, I think I just have an overactive imagination. 🙂

I know you wrote Sweet Light years ago as well as its subsequent sequel.  Did you ever think you’d see the day when you found it published?
Back when I was writing it, no. I will admit I occasionally thought ‘It would be cool if I got this published.” However I was more interested in writing than looking into that. Eventually my parents gave me a bit a push and away I went. It wasn’t I didn’t think the story was good enough, I just knew it would be a lot a work finding someone to read it in the publishing world. I’d often read about my favorite authors and their journeys to get published, so knew it wasn’t something easy to do. I wasn’t wrong there. 🙂 I have a tendency not to give up once I have my mind set on something though. I did have some help from a friend to give my butt a kick now and then too. I certainly wouldn’t be here otherwise. 🙂
I am positively enamored with your Echo stories.  Where did you come up with the idea and what can we expect in the future from this line?

The original idea came from a line from a song and then just grew as I wrote it. The line was “I will always be here, for the rest of my life.” Which created in my mind the Echoes, who are bound to their Immortals forever. They can not leave. They can’t even die and pass on, only be utterly destroyed. Different Echoes handle this in different ways.

I’ve written two short stories in the Immortal Echoes world so far. I recently started a book as well. I have the general idea in my head, and the first chapter written. Now I just need to sort out a few more things as I write.

Stay home mom, is synonymous with superwoman.   Where do you find the time to balance your home life with being an author and editor?

I think a lot while I clean. Sweeping and doing dishes doesn’t require a lot of brainpower. Mostly I write in the evenings, since that is what I have gotten used to, even though this year both boys are now in school full time. Daytime I clean and putter at some writing and work on reading and editing jobs. I’ve learned to write in little spurts when I can, and also to just write whatever comes into my head. I might write chapter 5 before chapter 3. Whatever works. I usually have very little trouble connecting everything up eventually.

I often ask this question to the authors I interview.  From the time you started writing, to the time you became published, what was the most rewarding leg of your journey?  What was the most difficult?

The most rewarding was of course having someone actually READ my work. I spend over a year just sending out queries and collecting rejections. These didn’t bother me overly much, none of the the agents had read my work after all.

The most difficult part is the WAITING to hear back. It still is. I’m not a very patient person at the best of times. (All patience goes to dealing with the kids LOL) I am starting to get used to it though. Mostly. 🙂

Reader’s like to be tantalized with what’s coming next.  What is coming next from Jennifer Wylie?

I just finished my first young adult novel, Broken Aro. I’ll be submitting it soon. Right now I’m working on it’s sequel, the Echo book, and also editing the sequel to Sweet Light. I have a few short stories on the go too. I’m a bit of a multi-tasker. 🙂

Of all the stories and novels you’ve written. which is your favorite and why?

That’s a hard one. I love all the many (many) books I’ve written in the world of Sweet Light. I’ve been writing them for almost a decade, they have become a part of me. However I also love my new YA, maybe because it’s new? I’ve also learned SO much in the last six months on HOW to write, I think it turned out pretty darn awesome. 🙂 (Plus it has Fey and Elves in it, and I love them!)

You’re the acquisitions editor for Echelon Press’ Explorations line.  Do you enjoy your work?  What’s your favorite part?

I love it!!! It’s like a dream job. 🙂 It’s hard to say what my favorite part is. I love all the technical aspects of marketing and the keeping up the website etc. (yes I’m weird) but interacting, helping and encouraging the authors is such a wonderful experience. Sometimes I think I get more excited than they do when things are going well. Getting to read a lot of awesome books certainly doesn’t hurt either. 😀

Many people write just for the thrill of it.  Inspiration for being an author can come from anywhere.  What’s yours?  Why do you write?

Why? I have to write. I think I’d go crazy (crazier) if I didn’t. I can’t do anything without stories rambling around in my head. Most nights I lie awake with scenes playing before my eyes. I find if I get them typed out, they leave me alone. 🙂 I have huge files of story ideas and partials just because of that. I love writing, I love the stories my mind creates. I hope everyone else will as well. 🙂

Could you give us a brief outline of what books and short stories are coming out from you, when we can expect them?

Yes I can!

Jump (ebook short story) Released December 15 2010

If you were told to jump off of a bridge would you? Perhaps it would depend on who was doing the asking. Our heroine has spunk and a sense of humor, however suffers from an extreme case of inappropriate clothing. When things take a turn from dangerous to worse what will she do when fantasy becomes reality? Warning: May include hot leather clad men, singing and demons.


The Forgotten Echo (ebook short story) Released March 1 2011

Sometimes death is only the beginning…

After a bad day Cassy is surprised to find her self shot, an innocent bystander in a drive by shooting. Bleeding to death in an empty parking lot she knows she is going die. What she doesn’t expect is the arrival of a strange, yet gorgeous, man who tells her he can keep her from passing on in return for being his forever. In desperation she agrees but afterwards she is beyond dismayed to discover she has died. To make matters worse the stranger has disappeared. Her spirit wanders, afraid and alone until she meets another like her and she discovers she not a ghost at all but something much more.

Sweet Light (novel) Released May 2011

When fate conspires against you and gives you three loves to choose from, what do you do?  When you do decide, what if you made the wrong choice?

Shara is a Healer, raised and trained from childhood until her unique gift manifests itself. When she gains the rank Journeyman she is hired to serve as the court healer of the barbaric kingdom of Glendor.

Untrained for war she is thrust unmercifully into its bloody arms when the kingdom is invaded. Ordered by her king to the front lines to tend the wounded, she is forced to flee when their camp is attacked.  Happening upon a wounded soldier in the forest, every mile back to the capital is a struggle, and breaking the Healer’s code, she falls in love with her charge.

If Shara thought that to be the least of her troubles, the appearance of a fierce warrior captain who takes it upon himself to be her protector teaches her differently.  Trouble comes in threes at the appearance of her former love and fellow healer.  Faced with decisions of the heart and the sudden manifestation of her gift leave little room for anything else to go wrong.  Or at least that’s what Shara thought...

Author Bio

Jennifer Wylie was born and raised in Ontario, Canada. In a cosmic twist of fate she dislikes the snow and cold.

Before settling down to raise a family, she attained a BA from Queens University and worked in retail and sales.

Thanks to her mother she acquired a love of books at an early age and began writing in public school. She constantly has stories floating around in her head, and finds it amazing most people don’t. Jennifer writes various forms of fantasy, both novels and short stories. Sweet light is her debut novel to be published in 2011.

Jennifer resides in rural Ontario, Canada with her husband, two boys, Australian shepherd a flock of birds and a disagreeable amount of wildlife.

Jennifer’s Website:

Jennifer’s Blog:

You can also follow her on Twitter!

You can also “Like” her on Facebook!

The Lost Daughter- Chapter One

November 22, 2010 2 comments


Click to Purchase

I have the HONOUR of hosting up and coming author ELLA GREY on her first stop of her blog tour.  Her book What a Way to Start the Day, Is now available for pre-sale on Omnilit.  For her blog tour she decided to put up select chapters of her new story, The Lost Daughter. Read Chapter One here today on my blog and then Chapter Two on my friend, Jen Wylie’s Blog!  If you want to keep reading, you’ll have to follow the story from blog to blog to blog!  Give it a read, and I’m sure you’ll see why Ella Grey was picked up by Echelon Press.  Enjoy my friends!



The Lost Daughter

Chapter One

Part One

I’ve always had nightmares.

If you had seen what I had seen you would have them too. The setup was always the same. I was in a room carved into the middle of a cave. Laid out there was enough room to see that I was the center of something that could have passed for a morbid clock face. Twelve slabs of rock, twelve bodies in various states of decay. I had seen Dad as I’d been dragged in.

From the look on his face he could have been sleeping. It was only by looking lower to the messy blood stained hole that you knew that he wouldn’t be waking up. Above each of their heads was the red mass of muscle that was the human heart. The urge to fight left me in a wave. These were the days before I knew that I was a witch. Five years ago, I was just like any other fifteen year old girl. It’s hard to believe that life was ever that simple.

I was half lead, half dragged to the slab in the center, number thirteen. It was only after Thomas rescued me and I’d been safety hidden away in a police station I’d become hysterical. They’d sedated me after I’d tried to claw out my eyes, the image of my Dad on that cold stone slab haunted me to this day..

That was the funny thing about dreams. They didn’t always play out events the way you remembered them. My nightmares always played out the, what if? What if Thomas had been late? What if he had never shown up at all?

A shadow fell over me. I looked up into a pair of dark inhuman eyes hidden behind a mask. Gripping my face with a gloved and he turned it from side to side, studying me. After that was done he left, eventually returning with a steel container. He opened it and I was hit by an unfamiliar smell, as he held my head still, he dipped in a finger and drew something on my forehead. The substance had been thick and it left clots of something that later I’d found out was made up of the blood of the earlier victims. The man had then moved to the side and had been joined by six others. All of them were dressed the same, red robes and black masks that covered the entire face. Their hands seemed to snake out, holding my legs, arms and head. At the time I had been terrified, where they planning on raping me first? The man that marked me now stood between my spread legs. I remembered being fully dressed the day they grabbed me but dreams were tricky things. Sometimes the situation would be warped by my mind and I would appear naked, even more vulnerable than I’d actually been. He climbed onto the stone slab with me and it was always at that moment I saw the ornamental knife that had been tucked between a rope belt and his robes.

It had been right about now that Thomas had came in, all guns a blazing with his team to rescue me. I remembered this and so did my dream self. What my dream self never seemed to remember was that in this version he never came. Instead the blade came down and I screamed. I felt every incision as they cut a hole, broke my ribs and still I screamed. Why wasn’t I dying? Why did I have to feel every second? I felt his hand travel into my chest and grab my heart.

“You bastards” I screamed as he tugged it free from its resting place. It was finally over.


Like the beginning to the story of Alice Young? Part 2 can be found tomorrow at

My eshort, ‘What a way to start the day’ A Molly O’Brien Tale is being released on the 1st of December.

Waking up to realize you may be in the family way would make anyone worry. Especially if the would-be daddy has fangs and is the hunted son of the vampire mafia.
Molly O’Brien runs the small shop ‘Forbidden Charms’ and is the witch to go to if you want something. Operating on the outskirts of a supernatural world isn’t easy either, especially when trying to keep your secret from the human world. Who would have thought life could get any more complicated for the little fire witch?


My Interview with Norm Cowie

November 10, 2010 2 comments

Just want to say, “Dude you crack me up.”  With that out of the way I have to ask, could you imagine writing anything without an element of humor in it?


Yep, gotta crack people up.   I treat each reader like an egg I want to break.  If I can scramble some brains, poach some feelings or egg the reader on any other way, I’m going to do it.  As far as writing without humor, I have to admit it’s a challenge not to slide down the sophomoric slope of immaturity and humor.



To date, what work of yours brought you the most satisfaction in seeing it to completion?


I think my second book, THE NEXT ADVENTURES OF GUY.  Wring(s/b Writing)  this was satisfying because as a sequel, I could skip the boring stuff where I’m introducing characters and romp right on into the story.  This one actually starts with the characters running in a graveyard.



What possessed you, I mean inspired you, to write a book for young adults?


Well, there was this kid ghost who spoke to me during a séance and … well, okay, not really.  What really happened was a librarian came up to me at a writer’s conference and told me teens were reading my Adventures of Guy series.  When I heard that, a light bulb went on over my head, dropped on my noggin and broke, sending tiny shards of glass all over my shoulders. And I decided I had to give it a try.



On the same topic, I was introduced to Fang Face on your website and I’ve added that to my “MUST READ” list.  Was writing to a younger audience difficult?


Besides getting in touch with my inner child, there are certain challenges to writing Fang Face that I didn’t face with my adult books.  Mostly, how to walk the fine line where it’s realistic enough for the kids, while not crossing lines that I didn’t want to cross.  There’s no sex or cussing in Fang Face, and that’s just not true in a kid’s life. I mean, think about all of the cussing and orgies going on in today’s schools.

I can’t tell you how pleased I am that you agreed to this interview.  Now that I have you here, what would be the BEST advice you could give to aspiring writers?


Don’t.  Bore.  The.  Reader.    By that, I mean, don’t spend a long time setting up scenes so the reader can see something exactly the way you picture it.  Let their imagination fill in some of the blanks.  I can’t tell you how many times I stopped reading a book because the author spent too much time laboriously explaining scenes.



I see you’re working on a new book, WEREWOOF.  Would you care to share with everyone a little about what to expect?  Any idea when we might expect it on the shelves?


It’s done.  I’m not sure what I’m going to do with it yet.  In the meantime, I’m working on my next one (see below).



Some authors are born into the craft, others are introduced, but I’ve never met an author who would give up writing because they love it so much.  How important is your craft to you?  If you could do anything else besides being an author what would it be?


Oh, without a doubt, I would want to be the guy who cleans up after parties at Chuckie Cheese.  Imagine all of the fun things you can find in the play section. Diapers, food, spilled drinks, barf.  How fun.


Being a father of two children myself, I plan to incorporate them at some point in my novels as characters, probably evil ones bent on the destruction of the earth and refusing to clean their lairs.  Have your children ever had roles in any of your work?


Yeah, kids are like that, aren’t they.  My younger daughter Lauren is my official ‘bounce-offer.’  I bounce ideas off her, and discuss possible plot turns and things.  She’s a freshman in college, and really in tune with what’s fun and popular. As far as characters, both of my daughters claim they were the inspiration for the sisters in Fang Face.  I tell them not. They tell me yes, I tell them no.  They disagree.  It’s an ongoing argument.



I ask this question of everyone I interview because I love to see the diversity of the answers presented.  Form the moment you started writing until the moment you held your completed first work in you r hand, what leg of the journey was the most difficult to overcome or get through?


My left leg, ever since I messed up my knee. But I’ve been icing it, taking anti-inflammatories and babying it, so  it’s getting better now.  It’ll be okay.


What’s next for Norm Cowie?  After you complete WEREWOOF, do you have another story rattling around in your head that you can’t wait to get down on paper?


I’m about two thirds done writing the third Adventures of Guy.  In this one, my college characters are angry about the price of oil, so they decide to take on Big Oil in its headquarters, which they find is in Hell. When they get there, they are shocked to find out that George Bush and Dick Cheney have taken over Hell, torturing Satan with an unending colonoscopy – meanwhile, the terrorists are wandering around going, ‘Where are the virgins? We were promised virgins.’  The guy from Verizon is down there, too, saying, “Can you hear me now? Can you hear me now?”  Meanwhile, Sarah Palin can see them from her back yard.    Yep, more wackiness.

All of this can be seen on my website

My Amazon page

My blog

My Twitter

Have a Manuscript and Don’t Know What To DO?

October 29, 2010 Leave a comment

I looked high and low for a publisher for my works.  I can tell you one thing, after searching for months for agents, months for publishers, and losing a good portion of my hair, I finally stumbled across Echelon Press.  “Who are they?”  Yes, I’ve heard the question before, so let me tell you exactly what I’ve told everybody else.  They’re my new family.  The president of the company, Karen Syed, actually cares about her authors, is probably one of the most interesting people I’ve ever met, and is a pleasure to not only work with, BUT WORK FOR AS WELL.  You heard me right.  I loved the company so much, I got a job.

They are currently looking to publish experienced authors and new upcoming authors as well.  So GO TO, click on the submit tab, and follow the submission guidelines!


Echelon is seeking submissions for ALL eBook divisions. Please visit our site for guidelines.


Echelon Explorations is seeking submissions for eBook publication. Guidelines at


Echelon Shorts is seeking submissions for eBook publication for all genres. Guidelines at

Deadline for Holiday submissions 11/10/10. Guidelines at


Quake is seeking submissions for eBook publication for all genres. Guidelines at

Deadline for Quake Holiday Shorts submissions 11/10/10. Guidelines at

My Interview with Heather Ingemar

October 11, 2010 9 comments

Greetings all.  I have the honor of hosting Heather Ingemar on my blog this morning.  This is one of her stops on her Spooky Times Blog Tour and I’m honored to have her here.  Very rarely do you meet people who just shock you with how intelligent they are in their writing, how creative they are in everything they do, and how humble they are to talk to.  Heather is all of those things and more.  I’ve asked her a few questions to help you get into her mind.  I sincerely hope if I left anything out, you will ask her more.  Enjoy!

As a professional writer, do you set goals each day for how much you are going to write?

Nope. I’m a farmer’s wife in addition to my day-job, and being a farmer’s wife means you can’t plan for squat. I’ve come home to anything from fence needing to be fixed to having hypothermic calves in my living room being warmed up. You just never know. I satisfy myself by writing whenever I can fit it in, be it for five minutes or five hours. I can’t do much else.

What do you do when you get writer’s block?  What advice would you give people who have it?

First of all, I don’t believe in writer’s block, because there’s always *something* you can put on that paper. It may not be the RIGHT thing, but it’s something. When I find the words have a hard time coming, I take a break, go get something to eat, or go for a walk. When the words stop ‘fitting,’ it’s a sign that my brain is tired. So I let it rest, then come back to it. The worst thing you can do is stress about not writing — it makes everything tense up.

What are the two or three most valuable practical editing/revising tips you would give writers?

Wow, I don’t know if I can limit/separate them out! It’s important to learn to take criticism (read: constructive critique), you need to be picky with your grammar, and you need to have a trusted individual who can tell you when that character you put in scene five is unnecessary. And you need to be able to differentiate between the essential parts of your story and the parts you can cut. You can’t get too attached to things: you have to be able to “kill your favorites,” as they say.

You write both short stories and novels, do you have a preference or write for what the market is looking for?

(I actually have never written a novel. A novella is another form of short story.)

I write what I want to read. No more and no less.

How would you describe your work? Does it vary between projects?

Oh, boy does it! I’ve run the gamut from romance to horror, and most things in between. Mostly, my stories tend toward the dark, the spooky, the gothic. They’re often heavy on supernatural elements, because I’ve always been fascinated by fantasy.

You write the dark and spooky. What were you afraid of when you were a child? What is your greatest fear now?

When I was a child, it was Darth Vader. (laughs) I had this lamp by my bed, and in the evening it would cast shadows that looked like his helmet. I had pretty frequent nightmares about that until I saw the last movie where he turns good at the very end. Then I felt more sad for him than anything else.

My greatest fear now is losing those closest to me. I am the type of person who doesn’t forge attachments often or easily, but when I do, they’re strong as nails. Being parted, having to say goodbye… I hate it.

You are also a folk musician, does this influence your writing?

I think a lot of the themes in old folklore carry over. Certainly being a musician has affected my writing style — I tend to be very ‘sound conscious’ when crafting my sentences. If it doesn’t sound ‘nice,’ it gets changed.

What project are you currently working on? Can you tell us about it or is it a deep dark secret?

(laughs) No, no deep, dark secrets! I’m working on another piece in my ‘demonic’ series — the first story in the series is “Crown of Thorns” and it has been contracted with Drollerie Press — and after that I am planning on revising a novella that’s been on the back burner for quite a long time. IF another idea doesn’t pop in and demand to be written… I have an ‘in progress’ page on my website:

Which of the stories you have written is your favorite and why? Do you have any untold tales lurking about in your mind but haven’t had a chance to write?

I try not to play favorites, though I think the current project is always the one I’m most excited about.

I have lots of ideas floating around in my head that haven’t had the opportunity to develop into stories, they’re just snippets or pieces of other things. When they percolate enough they become a narrative, that’s when I begin writing.

You are also a public speaker. Do you find this very rewarding? What topics do you speak about?

I don’t know that I’d call me a “public speaker” in the grand tones denoting someone who does it for a living, haha. I do DO public speaking, both as part of my day-job and as a writer and as a musician, however. I don’t mind being up in front of a crowd. What I like best is talking to young writers, usually teenagers, about the craft.

If you could be any type of fantastical creature, what would you be?

Does a Nazgul count as a fantastical creature? If so, I call dibs on being the Witchking of Angmar. (It’s all about the pointy helmet.)

My Interview with Dave Anderson

September 2, 2010 2 comments

It never ceases to amaze me how many of our youth’s teachers decide to branch out and write novels.  Do you think spending most of your day with the audience you’re trying to reach with your novel helped?

Absolutely. In fact, that’s the main reason I decided to try my hand at young adult fiction. There are  a lot of great books out there aimed at teenagers, quite unlike the stuff I was forced to read when I was a kid, when the The Outsiders was about as edgy as things got. Young adult fiction is so diverse nowadays, and as a teacher, it’s interesting to see what my students are currently into. In my humble opinion, a lot of the best, most original stories being published are young adult novels.

The premise for Killer Cows is absolutely amazing, what inspired you?

Besides other authors of YA fiction I admire, like Gordon Korman and Jerry Spinelli, the main inspiration was B-movies. I’ve always loved that stuff growing up, the cheesy low budget sci-fi and horror flicks.  There was a movie from the early 70s called Night of the Lepus, which was about giant killer rabbits. Absolutely hilarious! I wanted to place that same ridiculous animal-on-the-rampage premise within the context of a YA point-of-view, with a little Star Wars thrown in.  To the best of my knowledge, it something that hasn’t really been done before, not in YA anyway.

Now that you’ve written and published one exciting YA novel, what’s next for you?  Are you continuing the saga or branching out to tackle other projects?

Well, for now, I like writing YA fiction. I’m currently trying to place my second novel with an agent or publisher, while finishing up my third. Neither of them are follow-ups to Killer Cows. I’d also like to try my hand at non-fiction, and have an idea or two which might be interesting. Something related to heavy metal music, which I love and know quite a bit about.

As far as continuing the Killer Cows saga goes, a lot of that depends on the success of the first book. I think it works as a stand-alone story, but I did leave the door open for a series, just in case. I have at least one sequel completely outlined, and would love to revisit these characters again, but only if there‘s an audience for it. To me, spending the better part of a year writing a sequel no one asked for is kind-of counter productive. I’ve been told by some writers that’s the wrong approach, that an author should pursue a book series anyway if that’s their ultimate plan. And from a creative standpoint, that makes total sense. At the same time, wouldn’t it be sad to write thousands of pages of a trilogy or series that no one ever reads?

Now that I‘ve finally managed to publish a book, my goals have changed, for better or worse. I’m still totally jazzed that Killer Cows is out there, but now my goal is to make my next book even better and more successful.  Don’t get me wrong, I still write because I enjoy it, and that should be the main reason anyone writes. But we also write because we ultimately want our work to be read. If that ends up being a Cows sequel, great, but I don’t want to put all my eggs in one basket.

Have you considered writing another genre of fiction or do you plan to stay with scifi/fantasy YA?

To be honest, I’m not really a big fan of sci-fi/fantasy novels, and don’t consider Killer Cows a sci-fi story in the traditional sense. When I’m writing, I don’t really care about the genre. I just want to try and tell a good story. My second novel, Shaken, is totally different from Killer Cows. It’s an action/disaster novel, and much darker. The one I’m finishing up right now is a YA horror story, only really balls-to-the-wall with no emo vampires. The only thing the three stories really have in common is they could be described as ‘pulp fiction for kids‘. Maybe that could be my own little genre.

I know when I received the contract to have my book published, my family practically oozed with pride.  How was it for you?

My wife was pretty happy, but she was also so accustomed to me sitting at the computer for hours per day, I think the overall feeling was “Well, it’s about time.” To be honest, I was actually a little bit disappointed by most of the reactions from my family. Yeah, I got a lot of ‘good for yous’ and stuff, but for the most part, considering this has been a life-long dream and how hard it was to achieve, I was hoping people would have been more excited. No, I didn’t expect everyone to do cartwheels and bow at my feet, and maybe I shouldn’t assume that just because something is a big deal to me that it should be to others. Perhaps my own expectations were just too high.

Most of my family still haven’t read it, even though their approval means a great deal to me. Then again, my writing aspirations have never been a big concern of theirs, so maybe it’s unrealistic to assume they’re suddenly going to drop everything and read my book. I know they are proud of me, but what I really want is for them to read what I’ve done. Right now, with the exception of my wife, my niece and a few in-laws, no one in my family has really expressed any interest in the novel itself.

That’s okay, though, and I‘m not really that worked-up about it because, in the end, writing a book was something I did for myself.

Is there any advice you’d be willing to impart to aspiring writers?  What was the hardest thing for you to overcome?

Yeah, plenty. First, make sure that you‘re writing what you‘d personally be interested in reading, not what you think would sell and make you rich. If you write fantasy, it should be because you enjoy the genre, not because it is popular. There’s a good chance the only audience for your first novel is going to be you, because almost nobody’s first book is ever sold. That’s a good thing, too, because the first novel I ever finished was a piece of crap, but I still enjoy occasionally trucking it out of my desk drawer and going through it.

My second piece of advice would be to develop get used to rejection. Agents and publishers don’t owe you anything. They are a business, and just because they reject your work doesn’t necessarily mean you can’t write. It just means what you’ve written isn’t what they are looking for.  Publishers and agents are fickle, and are pretty specific about what types of stories they are interested in. Writers should definitely research who they are considering submitting their work to. In any case, do NOT give up! Rejection is part of the game, and overcoming rejection is, without a doubt, the hardest part of writing.

My last bit of advice would be to remember that signing a contract doesn’t mean the hard work is over, which I’m currently discovering. It’s up to you to let others know your book even exists, and this is especially true for new, unknown writers whose books are released by smaller publishers. I think a lot of writers think the publisher does all the promoting. That may have been true at one time, but not anymore. There’s a ton of self-promotion involved. I have literally spent hours per day (time I would normally spend writing) trying to set up interviews, book signings, contacting reviewers, libraries, readers and independent bookstores. Sometimes it’s fun, but it’s also hard bloody work, and occasionally very frustrating, especially if you don’t know whether or not it’s doing any good. And you have to go through this, because even if you’ve written the next Gone With The Wind, no one is going to care if they don’t know about it.

From the time you started planning your novel, to writing it, to holding it in your hands, what was the hardest part to get through and what part brought you the most joy?

Without a doubt, the toughest part was trying to find a publisher. It took longer to sell the book than it did to write it. There are so many good (and bad) writers out there trying to do the same thing, and it was incredibly difficult to even get anyone’s attention, especially since this was my first novel. Being able to write is one thing, but being able to get someone interested in what you’ve written is an entirely different skill altogether. It was through trial and error that I learned how to write decent query letters and synopses. During that time, Killer Cows must have been rejected by over 50 agents and publishers before I was offered a contract.

The greatest joy, besides holding the book in my hands, was when my wife read the book and told me she cried at the ending. That was big for me because my wife has always been my most brutally-honest critic, so her stamp of approval meant a lot to me. I’m going to cheat on this question and add that the other greatest joy is reading the reviews or opinions of people who don’t know me. It’s one thing to hear feedback from friends or family (who might simply be impressed you wrote a book at all), but it’s quite another to get feedback from someone who owes you nothing. I’m discovering that I don’t really care whether reviews are good or bad (though they are mostly pretty good). Besides, a bad review is better than none at all.

If you had to go back and do it all over, is there any aspect of your novel or getting it published that you’d change?

If anything, I wish I had started taking it seriously a lot earlier. I’ve been writing most of my life in some form or another, but only really got serious about the business of writing during the past few years. Now that I’m in my mid-forties, and am just now seeing a bit of success, I think about all those years wasted, when I never finished what I started, or went several years without writing a damn thing. I always had dreams of being a writer, but spent more time talking about it than anything else, and never following through on projects. I guess I just wasn’t mature enough yet.

What’s really ironic is the whole kid-with-flying-saucer element of Killer Cows was one of the very first ideas I ever had for a novel. I just never did anything about it until a few years ago. So it occasionally crosses my mind how many books I could have had published by now if I had only taken it more seriously twenty years ago. Then again, I’m a better writer now than I was then, so maybe it wouldn’t have been any different.

I noticed that you plan on implementing your novel into your teaching curriculum.  I have to ask, how cool is that?  I can only imagine what it would feel like.  Are your students proud?

It’s way cool, but wasn’t actually my idea. Personally, I worried about the whole thing being a big act of nepotism, but my principal and teaching partner thought this would be a great chance for kids to get insights from the actual author of the book they are reading. So Killer Cows will be the focus of a novel study class.

As far as my students go, I teach seventh graders, so reactions have been varied. That’s a hard age to impress with anything. Some kids have assumed I’m automatically going to be rich and famous (don’t I wish!). Some have been impressed, while others couldn’t care less. It’s a funny age group to be around all day. And since these kids are the intended audience of the book, they will be the ultimate litmus test to determine whether or not the book is successful…from a creative standpoint, anyway.

With a full time job teaching young minds, how difficult is it to find time to write new novels and find time to market your current book?

Extremely difficult. In addition to teaching, family obligations and marketing Cows, I’m also trying to finish up a master degree, so I don’t have nearly the amount of time I’d like to work on my own writing. Work on my current novel has slowed to a crawl, simply because of other obligations. It’s sometimes very aggravating because I know I could be producing a good novel every six months if given the chance. Ah, to be doing that for a living…wouldn’t it be great? Who knows…maybe someday.

My Interview with Pam Ripling

August 30, 2010 6 comments

I’d just like to say thank you for paving the way to remove some of the taboo characteristics of eBook publishing.  You’ve paved the way for other authors such as myself to get their works out to the population.  Do you ever see a day when people will look at paper books with disdain?  Can you see the eBook replacing the book?

Hey Sean, thanks for hosting me today. You know, it’s been a long, interesting journey for early ebook authors. The first offerings were published on 3.5″ floppy disks packaged in mini-jewel boxes, cardboard fold-ups and even paper boxes designed to look like paperback books. There was, at least, a tangible item that purchasers could hold in hand while admiring the cover art. Today’s technology puts books into the realm of downloadable media, a world that divides readers. As the population has grown more accepting of virtual products and electronic “gadgetry”, so does the comfort zone for reading ebooks.

I think there is already a generation (for want of a better word) of readers that look at paper books with a sigh and an eye roll. These are people already so entrenched in reading-on-screen that the thought of turning the pages of a heavy, physical book bores them. But the broadening of our choices doesn’t spell the demise of the paper book, in my opinion. They have their place; some experiences cannot be duplicated electronically, and some folks still prefer cooking over a flame to a microwave.

I’ve noticed that most of your work is of the cross-genre variety.  I’ve often found that cross-genre opens up more possibilities for plot development and character development.  The only drawback I’ve found is interesting your reader in a story that is not one genre.  I like to name them the “DIEHARDS”.  Have you found this to be true in your work?

Absolutely. I recently experienced this challenge, as my newest release does include elements of three popular genres that don’t necessary interest all readers. Complicating the matter is the fact that the genres themselves are further broken down into sub-genres by the readers themselves. A mystery is no long just a mystery, nor is a romance simply a love story. And don’t even try to simplify the categorization of the paranormal, where you find the ever-popular vampire, were-creatures, shape-shifters, psychics, and all varieties of spirits, ghosts and ghouls.

The cross-genre author will typically attempt to interest some readers in each of the genres a book touches on. The risk is, of course, that the readers will be suspicious, or will find that the book doesn’t focus enough on their genre of choice. It’s kind of shotgun marketing, but there it is. Alternately, the author can broaden their description and not try to shoehorn the book into any category, but they then run the risk of confusing bookstores and libraries—and we don’t want to do that!

You bring an element of paranormal or supernatural to your work.  When I say this I mean ghosts.  Have they always intrigued you?  Are they fun to write?

My ghosts are sort of stereotypical. Souls of people whose deaths were unreconciled. They are non-threatening, frustrated, benign sorts only looking for justice. No, I haven’t had any sort of history with this stuff, but I write them the way I perceive they would be if they actual exist, and I can’t say unequivocally that I’m a believer. But it’s fun, and my readers love them.

I’ve never met one person who wasn’t absolutely intrigued by lighthouses.  The history behind them is staggering and their purpose noble.  I’ve got to ask, how did your fascination with lighthouses start?

I do get asked this a lot, and I don’t have a great answer or story. I’ve always loved them. On a lesser scale, I also find windmills intriguing, too. These are architectural structures that are different from everything else, almost fanciful in my mind. Unique. When people travel, and they happen to glimpse one along the way (and I’m talking both lighthouses and windmills), they are usually excited at the sighting. I have an acquaintance who built his own lighthouse several years ago, and I’m so envious!

You’ve had works published by several different publishers.  May I asked, what works for you?  Is there one thing that one publisher does that makes them shine above the rest?  Is there something that they do that makes you want to find another?

First let me share that all the publishers I’ve been with are small press, so I can’t comment on the “New York” variety. Publishers have decided “personalities” and I think you get a feel for them by discovering their goals. It would be a mistake to say that all pubs are in it for the money. Similarly, it’s probably also inaccurate to categorize small pubs as simply book lovers who like to see good works in print. A balance is important. No one gets rich in this business, and pubs who aim only for bestsellers are doomed.

A good publisher is one with a passion for great stories. He/she is human and open-minded, ambitious but not greedy. Must be professional, and not put up with mediocrity. I’ve left publishers who were (a) only in it for the money and (b) tried to publish more books than their time/resources could handle.

Nowadays it is very difficult to find a work with a major romance component that doesn’t border on the erotic.  Romance is often replaced with just sex. Do you think we’ll ever see a day when we revert to the emotional over the physical in popular writing?

Oh, I think it’s still there, and I believe the current fascination with the erotic works will die back some. This goes back to the labels and genres again. These terms are still evolving. I honestly believe that readers will seek out and find the stories they are looking for, despite all this marketing confusion. Word of mouth is still the number one seller of books, and  readers talk to each other a lot via book blogs and forums.

Since the beginning of your writing career, what part of it has been the most difficult?  What was the most fulfilling?

“Selling” my first novel was extremely thrilling. The difficult part is and always will be the marketing. Because we are living in a time of great changes in the publishing business, it’s a challenge to identify and keep up with it all. The model for book selling is, like the film and music industries before it, shifting and those who want to be successful must stay savvy.

Usually when you ask an author, what author inspired them to begin writing they name a specific book rather than an author.  Was there one for you?  How did you know you wanted to be an author?

I’d already been writing in one form or another for a number of years, but hadn’t really dreamed of being published. One day I was waiting on a plane at Burbank Airport, and I bought a copy of Nicholas Sparks’ MESSAGE IN A BOTTLE. I read it in one afternoon, and I was so excited. Excited because (sorry, Nick) I found it to be sub-standard writing in my opinion, and I thought, as many of us do, “I can do better than this!!”

What’s next for you?  Do you have any works in progress or even story ideas you would care to share?

My last two novels, POINT SURRENDER and CAPE SEDUCTION, are romantic mysteries set in lighthouses, and each has a paranormal element. The third, ANGEL’S GATE, is in the works. I’ve just finished the manuscript for a more mainstream book that tells the story of a long-term relationship between a young woman and a man who struggles with his gender identification. Yeah, experimental for me.

If you could impart one bit of wisdom about being a writer to aspiring writers, what bit of advice would be the most helpful in your eyes?

It’s a tough task to give advice! The trick is to balance your ambition with your realism. Don’t give up your enthusiasm, your passion, but be aware and fully educated about the challenges of actually selling your work, your SELF, to the book buying public. It’s easy to get discouraged, helpful if you go into it with eyes wide open. Too many people write a book and think their work is done. Ha!

Thanks, Sean, for a fab interview! I look forward to returning the favor soon.

Today kicks off my two week cyber tour celebrating the release of CAPE SEDUCTION! Be sure to stop over at The Romance Studio today for a fun blog about LUST vs. LOVE in romance, and don’t forget to enter my easy-peasy contest to win a bunch of free books from Echelon Press! (Do it NOW so you don’t forget!)

Tomorrow, I’m at Legendary Lighthouses, but you can view my entire itinerary at Beacon Street Books.

Pam Ripling, who also writes as Anne Carter, is a self-proclaimed Lighthouse Nut and the author of Beacon Street Mysteries CAPE SEDUCTION and POINT SURRENDER, in paperback or for your Kindle; also for your nook, iPhone, Sony eReader and other formats at Omnilit. Visit Pam/Anne at Beacon Street Books.

My Interview with Marc Vun Kannon

August 20, 2010 3 comments

So many fantasy writers have opted for bringing fantastical elements to the real world.  I have to ask, how long did it take you to create the world your books are set in?

MVK: No time at all, and it’s still in progress.  I’m a complete pantser when it comes to writing, so I don’t do any world-building beforehand.  Everything in the worlds I’ve created is discovered by me as I write it.

When dealing with a world created in your own imagination, what tools do you find helpful in keeping all the minute details of that world straight?

MVK: Fortunately for me I haven’t gotten into too many details just yet.  Previous books usually had the characters going off somewhere else for their adventures, so I could make it up as I went.  In my latest novel, Tales of Uncle, I’m presenting a great deal more detail about the life of ordinary people in one of the main recurring settings, the city of Querdishan.  I expect I’ll have more to say on this issue when I start on the book after that.

The excerpts I’ve read from the Flame in the Bowl series have convinced me to read much more.  What’s next for you?  Do you plan on continuing the series or are you moving on to other projects?

MVK: I am currently writing the third Tarkas novel, Tales of Uncle, which was conceived as a set of stories, told by Jasec, Tarkas nephew, to various people in his city, followed by a real-time adventure with Jasec teamed up with Tarkas again.  This idea lasted about 5 minutes, as the story decided to do something else, which has led me to write the fictional Scriptures of a fictional religion that I had no idea was going to happen when I started.  I also have a project currently in production, a completely unrelated novel about a werewolf attack on a lunar colony, called St. Martin’s Moon.  This is more in the futuristic/paranormal line than fantasy, with a large dose of romance thrown in.

Short stories are becoming more popular all the time as well as anthologies.  I’ve noticed you seem to have a penchant for writing them.  Which do you find easier to write, novels, novellas, or shorts?  In no way am I referring to the length in my question.  Which do you find easier as in terms of plot, character development, etc?

MVK: My technique for writing is mainly to start with some given characters, set them off in some basic setting, with some rudimentary plot, and then follow them around and see where they go.  Sometimes I have to add some new elements to the setting to give them more to work with.  This technique does not lend itself to short stories.  Occasionally I have a story where I know what I want to happen before I get there, and then I can keep the story in control and hit a certain target length.

I’ve noticed you don’t restrict yourself to a particular genre when writing short stories, is there any particular one (genre) you favor over others?

MVK: Most of my short stories tend to be in Fantasy, which is my favorite genre to read and write, with an occasional paranormal.  Unless you count humor as a genre.  Many of my early shorts were humorous either because I was asked to write that way or because it allowed me to sidestep certain development issues and get on with the story.

In one of your recent blog entries you wrote about the importance of humor, what it is, and what the limits should be of including it in an authors work.  Do you believe humor is essential in writing?

MVK: Not at all.  It has its uses, especially in allowing the use of a ‘broad brush’ to fill in character details that would otherwise bog down the story itself, but no story should depend on it.  All the good humorous stories I’ve read are solid stories told in a funny way.  In a slightly different sense, I do believe that stories should be fun to read.  Humor in that sense is essential, but it can take so many forms, or be subtle or spectacular, that there’s no way to say what it should look like beyond that.  In my case humor is essential because I tend to see things in a humorous way, so any story I write would do so too, in the form of bad puns, maybe some slapstick, or just the occasional wry observation about general foolishness.

I’ve asked this question to every author I’ve interviewed.  I’ll admit, the variety of answers surprised me.  What obstacle from the moment you started writing your first book until you held the most recently released copy in your hands was the most difficult?

MVK: For me the hardest problem is just describing the story, in a query-letter synopsis sort of way.   My last novel was created in such a disjointed fashion that there was no way for me to describe in a linear way.  The –opsis didn’t syn-, so to speak.  In general I never know what’s going to be happening in my stories, so it can take me quite a while to figure out what it’s really about.

I delved into your background a little before putting together this interview.  I noticed you have a very technical full time job, just like I do.  Do you have trouble balancing two careers?  What tricks or helpful advice can you pass along?

MVK: Doing computer programming is very disruptive to my writing life.  The two styles of thought are very dissimilar, and I used to get most of my writing done between semesters at school.  I had to force my way through the ending of St. Martin’s Moon just to get it done before school held it up for another few months, which was good, because once I had it done, my Bug-Hunter mentality was able to take it and see what was wrong and come up with a better resolution.  I’ll have to try the ‘Get it written, then fix it’ approach, which may work better for me.

I know when I’m at home and I sit down to work on my latest project things often have a tendency to blow up then.  I’m lucky, a lot of times at home my young ones and wife often give me the chance to work uninterrupted.  How did you find a balance?

MVK: I get up real early in the morning and write the page or so that I’ve come up with overnight.  As soon as other people around and distracting me I’m pretty much through.

Gifted authors are few and far between.  You have more than your fair share of talent and gifts in the field of writing.  Any plans or aspirations beyond being an author?

MVK: I got the husband and father thing done already, and I became a bookseller out of necessity.  I wouldn’t mind having some or all of my work made into feature films.  When life throws something in my way I’ll deal with it then, but I like where I am.  For now.

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